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Lomis was a towering figure behind many filmmakers’ hits including those from Quentin Tarantino, Paul Thomas Anderson, Adam McKay, Sylvester Stallone, Ryan Coogler, David O. Russell, Lee Daniels and Tom Hooper to name a few, and most recently Michael B. Jordan with Creed III.
RELATED: Erik Lomis Remembered By Hollywood Colleagues And Friends: “A Part Of The Industry Has Died With Him Today”, Barbara Broccoli Says
In the wake of Amazon’s purchase of MGM, Lomis, who made the jump, becoming an entrusted consigliere to Amazon Studios head Jennifer Salke as the streamer looks to capitalize on more big-screen hits.
Lomis gave Amazon a big taste of the box office with its first theatrical hit Creed III, which opened to more than $100 million worldwide and is currently grossing to $225M-plus at the global box office. It was Lomis’ bold decision to move Creed III out of Thanksgiving and put it in March, where the boxing pic would be away from Black Panther: Wakanda Forever and have access to premium screens. The success of that rescheduling maneuver speaks for itself. Lomis will be greatly missed by many.
Lomis recently championed Amazon to move Ben Affleck and Matt Damon’s first feature under their Artists Equity label, Air, from Prime Video to an Easter Weekend theatrical release after it tested through the roof. There is already heat on that movie after its splashy SXSW premiere last week.
“I don’t think the industry will realize until a couple of months from now how Erik Lomis was George Bailey,” said EDO box office analytics partner Derek McLay, a lieutenant of Lomis’ during the distribution exec’s early MGM 2000s days. “He was so many things to so many people that he touched and did quietly, and he’s intertwined in everything we do.”
One insider equated Lomis’ death here to that of former Academy President and Fox vet Tom Sherak, specifically in regards to the distribution boss’ fundraising efforts with Will Rogers. “When Erik called you, you never said ‘No’,” said one industry colleague who worked with Lomis at MGM.
A fierce believer in the theatrical business at all costs, Lomis safeguarded Daniel Craig’s 007 swan song, No Time to Die, during the pandemic from begin relegated to a Premium VOD or streaming day-and-date release when many of the world’s circuits were closed. He was the first to see how Covid would impact the entire business back in March 2020, delaying No Time to Die‘s theatrical release from Easter that year to ultimately October 2021. Lomis, in holding to his guns, made sure that No Time to Die had a big-screen release; the movie wound up doing more than $774 million worldwide, one of the highest-grossing pics during the pandemic era.
UAR/MGM recently had the Oscar-nominated Best Picture and Adapted Screenplay winner Women Talking from Sarah Polley.
Erik Lomis and Tom Cruise at the 2018 Will Rogers Pioneer of the Year Dinner (Photo by Alberto E. Rodriguez/Getty Images for CinemaCon
Lomis was highly respected, not just in exhibition circles but among filmmakers and rival distribution heads, for his razor-sharp, blunt take on the business, keen distribution strategies, and smart box office prognostications. It wasn’t uncommon for filmmakers’ agents to dial
During his career, Lomis led MGM’s distribution two different times, overseeing several James Bond releases and becoming a valued advisor to the franchise’s producers Barbara Broccoli and Michael G. Wilson. Last fall, Lomis hosted and was a key organizer of Broccoli and Wilson’s Will Rogers Pioneer Award tribute.
It wasn’t uncommon for filmmakers’ agents to dial in with Lomis on a weekend for his assessment, even though their client may not have had a movie at his studio. Among the notable distribution chiefs Lomis mentored during their early days are Lionsgate Domestic Distribution President David Spitz, Paramount Domestic Distribution President Chris Aronson, and Universal Domestic Distribution boss Jim Orr. That list also includes McLay, who runs Edward Norton’s box office analytics company EDO.
(L-R) Chris Aronson, Erik Lomis and Jim Orr in 2017 Alberto E. Rodriguez/Getty Images for CinemaCon
Boron on November 21, 1958, Lomis grew up in the exhibition biz, learning from the ground up as a movie theater usher in Philadelphia. His father, Irv Lomis, worked for the Philly circuit Sameric Corp.; Lomis would end up being head buyer at Sameric. United Artists Theatres, then the nation’s largest theater chain, would eventually take over Sameric, and Lomis would go on to be head of its national film department.
During Lomis’ early-millennium run at MGM, he served as President of Worldwide Theatrical Distribution, Home Entertainment & Acquisitions. While there, he oversaw domestic theatrical distribution as well as the marketing and distribution of MGM’s international theatrical, home entertainment and acquisitions titles. He had been a prominent executive and consultant at MGM for more than15 years then. As president of domestic distribution from 2000-2005, he was a part of the greenlight committee and oversaw distribution for Legally Blonde, Barbershop and four of the James Bond films including Goldeneye, Tomorrow Never Dies, The World Is Not Enough and Die Another Day.
‘The Hateful Eight’ Everett Collection
In 2011, Lomis was hired by The Weinstein Co. as its distribution president, amassing more than $1.5 billion at the domestic box office for the label. He catapulted the studio’s genre and awards-worthy fare to great heights including Tarantino’s Django Unchained ($162.8M, $426M WW) and Inglourious Basterds ($120.5M, $321.4M), Hooper’s The King’s Speech ($138.7M, $484M WW), Russell’s Silver Linings Playbook ($132M domestic, $236M WW), Lee Daniels’ The Butler ($116.6M domestic, $177.3M WW) and the Oscar winner The Imitation Game ($91M domestic, $233.5M WW). Lomis would later take on additional duties marketing at the studio.
One of his last triumphs at TWC was masterminding the rollout of Tarantino’s The Hateful Eight in 70mm for the filmmaker, snapping up dormant projectors and getting them into theaters. In one instance during the film’s Westwood L.A. premiere, Lomis rolled up his sleeves and headed up to the projection booth to resuscitate a problematic projector.
In March 2016, Lomis departed Weinstein Co. for Megan Ellison’s Annapurna as she was building out a distribution and marketing division to her studio. Annapurna would enter into a joint venture distribution and marketing operation with MGM, called United Artists Releasing, which Lomis ultimately led into its absorption by Amazon. Lomis released such Annapurna movies as McKay’s Oscar-winning comedy Vice about former Vice President Dick Cheney, and Kathryn Bigelow’s Detroit. With UAR, he shepherded the animated feature The Addams Family which made over $204M WW; Ridley Scott’s House of Gucci ($153M WW); Anne Hathaway-Rebel Wilson comedy The Hustle ($97M WW); Channing Tatum’s Dog ($85M WW); Anderson’s three-time Oscar-nominated Licorice Pizza ($33M WW), which was a bright spot for arthouses during Covid; the Dwayne Johnson-produced, Florence Pugh-starring Fighting With My Family ($42M WW); and the Aretha Franklin biopic Respect, starring Jennifer Hudson. And of course there was the Rocky spinoff Creed franchise which has grossed over $612M WW.
Lomis is survived by his wife, Lionsgate President of Legal and Business Affairs Patricia Laucella; his children, Natalia Jovovich, Nicole Rose Lomis and Zach Lomis; his stepmother, Joanne Lomis; sister, Sandy McGuigan; and brother Charles Lomis.
This guy was a biggy
Erik Lomis Dies: Veteran MGM Distribution Chief Was 64
Devastating news: MGM and United Artists Releasing distribution boss Erik Lomis died suddenly Wednesday at his home in Santa Monica, we have learned from sources. No details were provided in regard…
deadline.com
Erik Lomis Dies: Veteran MGM Distribution Chief Was 64
Devastating news: MGM and United Artists Releasing distribution boss Erik Lomis died suddenly Wednesday at his home in Santa Monica, we have learned from sources. No details were provided in regards to his death. He was 64.Lomis was a towering figure behind many filmmakers’ hits including those from Quentin Tarantino, Paul Thomas Anderson, Adam McKay, Sylvester Stallone, Ryan Coogler, David O. Russell, Lee Daniels and Tom Hooper to name a few, and most recently Michael B. Jordan with Creed III.
RELATED: Erik Lomis Remembered By Hollywood Colleagues And Friends: “A Part Of The Industry Has Died With Him Today”, Barbara Broccoli Says
In the wake of Amazon’s purchase of MGM, Lomis, who made the jump, becoming an entrusted consigliere to Amazon Studios head Jennifer Salke as the streamer looks to capitalize on more big-screen hits.
Lomis gave Amazon a big taste of the box office with its first theatrical hit Creed III, which opened to more than $100 million worldwide and is currently grossing to $225M-plus at the global box office. It was Lomis’ bold decision to move Creed III out of Thanksgiving and put it in March, where the boxing pic would be away from Black Panther: Wakanda Forever and have access to premium screens. The success of that rescheduling maneuver speaks for itself. Lomis will be greatly missed by many.
Lomis recently championed Amazon to move Ben Affleck and Matt Damon’s first feature under their Artists Equity label, Air, from Prime Video to an Easter Weekend theatrical release after it tested through the roof. There is already heat on that movie after its splashy SXSW premiere last week.
“I don’t think the industry will realize until a couple of months from now how Erik Lomis was George Bailey,” said EDO box office analytics partner Derek McLay, a lieutenant of Lomis’ during the distribution exec’s early MGM 2000s days. “He was so many things to so many people that he touched and did quietly, and he’s intertwined in everything we do.”
One insider equated Lomis’ death here to that of former Academy President and Fox vet Tom Sherak, specifically in regards to the distribution boss’ fundraising efforts with Will Rogers. “When Erik called you, you never said ‘No’,” said one industry colleague who worked with Lomis at MGM.
A fierce believer in the theatrical business at all costs, Lomis safeguarded Daniel Craig’s 007 swan song, No Time to Die, during the pandemic from begin relegated to a Premium VOD or streaming day-and-date release when many of the world’s circuits were closed. He was the first to see how Covid would impact the entire business back in March 2020, delaying No Time to Die‘s theatrical release from Easter that year to ultimately October 2021. Lomis, in holding to his guns, made sure that No Time to Die had a big-screen release; the movie wound up doing more than $774 million worldwide, one of the highest-grossing pics during the pandemic era.
UAR/MGM recently had the Oscar-nominated Best Picture and Adapted Screenplay winner Women Talking from Sarah Polley.
Erik Lomis and Tom Cruise at the 2018 Will Rogers Pioneer of the Year Dinner (Photo by Alberto E. Rodriguez/Getty Images for CinemaCon
Lomis was highly respected, not just in exhibition circles but among filmmakers and rival distribution heads, for his razor-sharp, blunt take on the business, keen distribution strategies, and smart box office prognostications. It wasn’t uncommon for filmmakers’ agents to dial
During his career, Lomis led MGM’s distribution two different times, overseeing several James Bond releases and becoming a valued advisor to the franchise’s producers Barbara Broccoli and Michael G. Wilson. Last fall, Lomis hosted and was a key organizer of Broccoli and Wilson’s Will Rogers Pioneer Award tribute.
It wasn’t uncommon for filmmakers’ agents to dial in with Lomis on a weekend for his assessment, even though their client may not have had a movie at his studio. Among the notable distribution chiefs Lomis mentored during their early days are Lionsgate Domestic Distribution President David Spitz, Paramount Domestic Distribution President Chris Aronson, and Universal Domestic Distribution boss Jim Orr. That list also includes McLay, who runs Edward Norton’s box office analytics company EDO.
(L-R) Chris Aronson, Erik Lomis and Jim Orr in 2017 Alberto E. Rodriguez/Getty Images for CinemaCon
Boron on November 21, 1958, Lomis grew up in the exhibition biz, learning from the ground up as a movie theater usher in Philadelphia. His father, Irv Lomis, worked for the Philly circuit Sameric Corp.; Lomis would end up being head buyer at Sameric. United Artists Theatres, then the nation’s largest theater chain, would eventually take over Sameric, and Lomis would go on to be head of its national film department.
During Lomis’ early-millennium run at MGM, he served as President of Worldwide Theatrical Distribution, Home Entertainment & Acquisitions. While there, he oversaw domestic theatrical distribution as well as the marketing and distribution of MGM’s international theatrical, home entertainment and acquisitions titles. He had been a prominent executive and consultant at MGM for more than15 years then. As president of domestic distribution from 2000-2005, he was a part of the greenlight committee and oversaw distribution for Legally Blonde, Barbershop and four of the James Bond films including Goldeneye, Tomorrow Never Dies, The World Is Not Enough and Die Another Day.
‘The Hateful Eight’ Everett Collection
In 2011, Lomis was hired by The Weinstein Co. as its distribution president, amassing more than $1.5 billion at the domestic box office for the label. He catapulted the studio’s genre and awards-worthy fare to great heights including Tarantino’s Django Unchained ($162.8M, $426M WW) and Inglourious Basterds ($120.5M, $321.4M), Hooper’s The King’s Speech ($138.7M, $484M WW), Russell’s Silver Linings Playbook ($132M domestic, $236M WW), Lee Daniels’ The Butler ($116.6M domestic, $177.3M WW) and the Oscar winner The Imitation Game ($91M domestic, $233.5M WW). Lomis would later take on additional duties marketing at the studio.
One of his last triumphs at TWC was masterminding the rollout of Tarantino’s The Hateful Eight in 70mm for the filmmaker, snapping up dormant projectors and getting them into theaters. In one instance during the film’s Westwood L.A. premiere, Lomis rolled up his sleeves and headed up to the projection booth to resuscitate a problematic projector.
In March 2016, Lomis departed Weinstein Co. for Megan Ellison’s Annapurna as she was building out a distribution and marketing division to her studio. Annapurna would enter into a joint venture distribution and marketing operation with MGM, called United Artists Releasing, which Lomis ultimately led into its absorption by Amazon. Lomis released such Annapurna movies as McKay’s Oscar-winning comedy Vice about former Vice President Dick Cheney, and Kathryn Bigelow’s Detroit. With UAR, he shepherded the animated feature The Addams Family which made over $204M WW; Ridley Scott’s House of Gucci ($153M WW); Anne Hathaway-Rebel Wilson comedy The Hustle ($97M WW); Channing Tatum’s Dog ($85M WW); Anderson’s three-time Oscar-nominated Licorice Pizza ($33M WW), which was a bright spot for arthouses during Covid; the Dwayne Johnson-produced, Florence Pugh-starring Fighting With My Family ($42M WW); and the Aretha Franklin biopic Respect, starring Jennifer Hudson. And of course there was the Rocky spinoff Creed franchise which has grossed over $612M WW.
Lomis is survived by his wife, Lionsgate President of Legal and Business Affairs Patricia Laucella; his children, Natalia Jovovich, Nicole Rose Lomis and Zach Lomis; his stepmother, Joanne Lomis; sister, Sandy McGuigan; and brother Charles Lomis.
