Nov 13 - Day 62: Museums, Museums, Museums
Both Sadie and Benny are museum’d out. We started the day with a very quick breakfast of fruit and yogurt while we waited for the rest of our small group to arrive and finish their espresso shots. As soon as we were all finished, we headed out for more walking. Hooray! First place our guide took us to was the Florence Cathedral. We’d seen some stuff from afar during our tour yesterday, but nothing like we got today.

The Duomo Cathedral is a Renaissance masterpiece known for its masonry dome, which holds the distinction of being the largest in the world. It’s what everyone thinks of when they think of Florence. Completed in 1465, this double-shell structure is an incredible feat of engineering and entirely self-supporting. The construction took nearly 170 years, starting in 1296. The architectural engineer who took over in the mid-1400s is the person that really made it happen. In fact, he had to invent things to conquer the project that had been deemed impossible by most people. One of his notable inventions was a system of machines specifically designed to lift enormous stones and hoist the immense weight of over 37,000 tons of materials, including more than 4 million bricks. And guess what? The guy’s name was Brunelleschi but do you know who his apprentice was? Leonardo da Vinci, I kid you not.

Inside the Dome, just before the presbytery, on the left aisle wall, is the famous fresco "Dante and the Divine Comedy". Created in 1465 this painting portrays Dante (1265-1321) holding a copy of his renowned "Divine Comedy", depicting the entrance to Hell, the seven terraces of Mount Purgatory, and the spheres of Heaven above. The fresco also includes depictions of Florence as it appeared in the 15th century, even though Dante himself could never have seen these scenes during his lifetime. This makes the painting a valuable historical artifact and I made sure to make myself a note to include it in the kids’ portfolios. I’m falling behind on that and have a lot of catch up that needs to happen. I also included how we reached the close-up view … by ascending approximately 450 steps on the narrow and winding staircase that circles the Dome's interior. Our tickets also included access to the top of the dome. We stepped out – yes, Sadie and I had Benny firmly bookended, to enjoy a panoramic view of the city and the surrounding Tuscan countryside.
Unlike a lot of churches we’ve seen, the outside of the building is just as decorative as the inside. It resembles a work of painted art rather than solid stone. And the doors? They’re incredible. I don’t think even Goliath could knock them down.

The next sites couldn’t top the Duomo, but they were just as interesting, each in their own way. The famous Bell Tower of Giotto is a standalone belfry that belongs to the Santa Maria del Fiore Cathedral. It is named after the painter and architect who designed it … Giotto de Bondone. Soaring to a height of 85 meters, it was decorated with sculptures and marble embellishments.
Exploring the interior of the tower is possible, and since the guide encouraged everyone, we all did this one as it was supposedly the easiest of the three such tall structures in Florence to climb. Despite the 414 steps, the staircase is designed to allow for rest stops along the way. Each level within the tower houses a large bell, totaling seven bells—one for each musical note. Unlike the crowded spaces of the Duomo Cathedral and the Arnolfo Tower in the Old Palace (or "Palazzo Vecchio"), the resting areas within the Giotto Tower are relatively spacious and offer remarkable views of the city. From the very top, we saw the Cathedral's dome and the Baptistery of San Giovanni from a unique perspective. Lev was clicking away having a blast and I decided to take pictures of him to remind me why I really do all of this even when it takes me outside my comfort zone.
After the bell tower, we hit our first real museum of the day; Bargello National Museum. It occupies a medieval fortress – something I found as interesting as the artwork within it. It is also known as the People's Palace ("Palazzo del Popolo") and is one of the city's oldest structures, dating back to 1255. Throughout its history, the building has served various purposes. Initially, in the 16th century, it was the Chief of Police’s office, that’s where it got its name. Later, the Bargello Fortress became as a prison until the mid-19th century, when it was transformed into a museum showcasing Gothic and Renaissance sculptures. The only two artists that I reconized the names of were Michelangelo and Donatello. Lev and I tried not to laugh because of course few people would get the reference. Certainly Benny and Sadie had no clue about teenage mutant ninja turtles and I wasn’t going to be the one to enlighten them, I’d sound crazy.
Apart from the Renaissance treasures, the museum also has rare artifacts from the Byzantine, Roman, and Medieval eras. A few of the crew I grew up with would have just called it “old crap,” but I’m finding that maybe, just maybe, I’m not too rude and crude for some of these edumacation and historical stuff, not an embarrassment to Lev and the kids. So there. Anyway, there are some jewelry pieces of European Renaissance and Islamic origins. To enhance the visitor experience, all exhibits are accompanied by English descriptions. Among the museum's prized possessions are masterpieces by Michelangelo, including Bacchus, Pitti Tondo (or "Madonna and Child"), Brutus, and David-Apollo. The Bacchus is eye catching, I’ll give you that. It has eyes that seem to roll, his staggering body appearing on the verge of toppling off the rocky pedestal on which he stands. Michelangelo carved Bacchus when he was only 22 years old.
From the fortress we went to Signoria Square, another key attraction in the city. Our guide boasted it had the “finest assemblage of outdoor statues.” Er, okay. At least I understood his vocabulary in spite of the thick Italian accent. There is a replica where the original of Michelangelo’s original “David” one stood. The square has been a central location in the city since the Roman times when it was just a small town called Florentia. Back then, it was surrounded by a theater, a complex of Roman baths, and a textile workshop. Over time, a church, a loggia, and an enormous 5th-century basilica were added, as revealed by archeological excavations carried out in the 1980s during the square's repaving. The square is a favorite of photographers and Lev was no exception.
The nearby Old Palace ("Palazzo Vecchio") still serves as the seat of municipal government. Adjacent to it, just a short distance away, stands the equally impressive "Lanterns' Lodge ("Loggia dei Lanzi"). Functioning as an open-air museum, this lodge is almost always accessible to the public free of charge and displays yet another impressive collection of statues, including the renowned "Rape of the Sabine Women", "Hercules and the Centaur", and a bronze "Perseus".
Navigating through the crowd was a challenge despite it being the off-season so I can’t imagine what it must be like at other times. Our guide said it is easier to cross the square at a slight diagonal approach rather than attempting a direct path, this way you avoid too many people heading in opposite directions from the way you want to go. By maneuvering like a yacht tacking against the wind – moving slightly to the right, then to the left, and so on – you can easily slide into the gaps as they appear. Easy-peasy!
Yet another museum is the Old Palace, or Palazzo Vecchio. It is a large, Romanesque-style palace and has served as the office of the Florence mayor since 1872. Prior to that, since its construction in 1299, it was the seat of Florentine government for centuries. When Cosimo I de' Medici (yep, that notorious Medici family) became the Grand Duke and moved in with his family in 1540, he decided to enlarge and renovate the Medieval building in Renaissance style. The outside of the building has shields recounting the city's political history, and it is also embellished with a series of sculptures, including famous works such as Michelangelo's "David", the heraldic lion known as "Marzocco", Donatello's original "Judith and Holofernes", and "Hercules and Cacus".
Inside are things like the grand Hall of the Five Hundred ("Salone dei Cinquecento") designed to celebrate the Duke's glories and victories, to the family’s private quarters. All the ceilings were painted or decorated in some way. I nearly got a crick in my neck and was afraid of running into things in front of me when I was so busy looking up. Our tour also included the famous "studiolo" with its secret doors. Pretty cool history.
In the central niche at the southern end of the grand hall ("Salone dei Cinquecento") were Michelangelo's marble group, "The Genius of Victory" (1533-1534). Originally intended for Julius II's tomb, this sculpture represents an allegory of triumph rather than depicting a moment of battle. It portrays a victorious figure dominating a submissive captive. I found it a little disturbing for some reason including that the “victorious” person was young and obviously fit while the “captive” was an old guy in ill health. Ugh. I know it was an allegory, but still. Another weird-to-me piece is there was a death mask of Dante prominently displayed between the Apartments of Eleanor and the Halls of Priors.
If our heads weren’t spinning enough, we were about to hit the museum of all museums. Lev had already had to change memory cards multiple times and I think he changed it at least once in this place; the Uffizi.
The Uffizi is in a structure built in the 16th century for Cosimo Medici, the first Duke of Florence. Not only did it serve as a governmental building, but it also became an ideal space to house the Medici family's art collection. Since 1765, the gallery has been open to the public and has grown to become one of Florence's most popular tourist attractions. There are a lot of famous “must see” art pieces in the Uffizi and even I knew of some of them. Two of them I remembered from my brief, painful attempt at college: Botticelli's "Birth of Venus" and "Adoration of the Magi". There were also works by Leonardo da Vinci and Michelangelo just to name two. I will admit here that the hamster managed to lose track of time while we wander around.
While paintings and sculptures are the main draw of the museum, the gallery's interior decoration, particularly the ceilings, also get their fair share of attention. There are over 50 rooms to explore, and it was challenging to absorb everything. In fact I know I didn’t and I don’t think anyone else did. Lev even got hung up in the on-site café taking pictures of the views that apparently you can’t get any place else. It wasn’t easy, our guide told us there is never a time when the museum isn’t busy so you are always trying to maneuver around people. About like the Louvre in that respect.
Another bit shared by our guide was about Michelangelo. During the first eight years of the 1500s, Michelangelo not only sculpted his iconic "David" and the "Bruges Madonna" but also chiseled seven additional sculptures and four smaller statues for an altar. He also accepted painting commissions, and one of his works displayed in the Uffizi is the "Doni Tondo" ("Holy Family"), completed in 1504. It is a round-shaped painting nearly four feet in diameter and portrays the Virgin Mary, the Christ Child, and St. Joseph. He used bright colors to make each detail stand out. The info wasn’t really on the painting itself, but on how the painting was used. There is a debate that Michelangelo used the painting to defend the Maculist perspective, a philosophy of the Dominican order that rejects the concept of the Immaculate Conception of Mary. According to the Maculist view, Mary's sanctification occurred at the moment of Christ's incarnation, rather than at her birth. Thus, the image depicts the moment of Mary's sanctification, as the Christ Child blesses her. Michelangelo portrays Christ as if he is emerging from Mary's shoulder to take human form, with one leg hanging limply and the other not visible, emphasizing his integration with Mary.
I will admit all of that is above my pay grade. I know what I believe. I can even tell you why I believe as I do. But not a lot of my why has to do with those kinds of beliefs but instead are because of my own experiences. When I was little my Abuela had a sister that came to visit. She’d “married well” and there was something about her I didn’t like but I loved my Abuela, and she loved her sister, so when I felt the hamster go feral (not that I recognized it that way back then) I would just take off rather than hurt Abuela. A lot of the time I would just dive into the water and swim home. Even as young as I was I was a fish and knew how to get home. The sister started saying that I had to be possessed, that it was the only thing that explained my wildness. She even offered to pay for me to be sent to a special religious school so the demons could be expelled and I could be normal. She made the mistake in saying that in front of Dad towards the end of her visit and the flying monkeys started seriously skirmishing.
Lawrence told me all of a sudden I took off running and dived off the dock and they thought I was simply running away again but Dad must have seen something because he started yelling, “No! No! No, no, no!! Gus!!!!”
I honestly don’t even remember I was so young, but Lawrence swears that Dad was in the kayak almost before my Sunday dress could get soaked through. That’s when Lawrence saw the big alligator slapping his tail against a log on the other side of the river. In no time we were back on dry land and Dad was leaning against a post shaking but it was a moment before people realized he was trying not to laugh. Apparently he didn’t want to encourage me. No one understood what I was muttering and in a royal snit about until I stood in front of Abuela’s sister and handed her a very wet and cowed dog that she loved more than good sense. No one liked that dog because it was a nasty bit of spoiled obnoxiousness. It was always barking at people. Occasionally I would bark back at it and it never seemed to know what to make of that beyond running and hiding behind Abuela’s sister.
All of maybe three years old I tossed the dog at her and told her, “Mutant poodles do NOT belong in the ribber. Gators and turtles could eat him up and make you cry.”
The story then goes that I ran to Abuela, gave her a big wet hug and said, “Love ya, Gotta go. Things to do! Come back later to take the garbage down!” And then went running and hopping like a lunatic energizer bunny back to the house to do whatever three-year-olds think is important.
Dad and Lawrence followed me home at a more sedate pace, but Lawrence told me that’s why when Abuela’s sister came to visit after that I went to go stay with Grandfather and Grandma Barry. It’s also why every year at Christmas until Abuela moved away, I would get a package with a new cross necklace in it. The cross was made out of different kinds of wood, usually olive wood, and was on a leather thong rather than a metal chain. I never have figured out if the old lady was saying thank you in her own way or trying to ward off demons or something. I don’t suppose it really matters. Even when I was young I recognized that the crosses were pretty and since they were on leather thongs I could wear them whenever I wanted to, usually to church with my grandparents.
One of these days I’ll tell that story to Benny and give him one of those crosses. Yep, I still have them. They stay in my treasure box. When I was older I asked Lawrence what happened to Abuela’s sister and he said she died a year after Abuela. I think sometimes of how my life might have been different if Dad hadn’t refused to send me away, whether to a religious school or not. Of how
his life might have been different, would he have lived longer. Then I tell the hamster to shut up because if God had really wanted me sent away nothing could have stopped it from happening so I took that to mean I grew up the way I was supposed to and that made it so I could raise Benny because God knew what other things were going to happen in this life. Sometimes you just have to accept things, have faith, even if you can’t always explain it in a way that other people understand.
Ugh, what on earth made that memory come out of hiding?! The thinks I think sometimes even confuse the hamster.
When everyone was about as museum’d as they could handle, our guide took us to Ponte Vecchio, also know as The Old Bridge. The first time the bridge appeared in documents was in 996 AD. Of all the six local bridges crossing the river Arno, it was the only one spared by the retreating Germans in 1944. Yes, it is just that old and still lined with shops the way many bridges were in the Middle Ages. It currently occupied by jewelers, art dealers and souvenir sellers, whereas its original tenants were all butchers who habitually dumped rotten animal carcasses straight into the river below. That was the case until the 16th century when Grand Duke Fernandino I de' Medici demanded that all the butcher shops were replaced by goldsmiths – thus not only did he rid the bridge of its rotting stench, but also turned it into the most golden spot in Italy.
Our guide also took us to a vantage point where we could see an upper level that hides a secret; a long tunnel connecting the Pitti Palace with the Old Palace. Historically, the tunnel provided a secure route for Duke Fernandino to move between the two palaces without most people knowing, especially whenever he felt uneasy in public.
One of the legends surrounding the bridge is it that the economic term "bankruptcy" originated right here when a money-changer who couldn't pay his debts, in punishment for his insolvency had his trading table physically broken by soldiers, so he could no longer sell anything. The table was called "banco", and thus the term "bancorotto" came into being. Today, the Old Bridge offers a delightful stroll, especially in the evenings, if not packed end to end with thousands of tourists traversing the river over its cobblestones.
We visited some other sites but I’m too blasted to record them. The Palazzo Piti (a Medici landmark), the Boboli Gardens, Fort Belvedere, and Michelangelo Square. We had a quiet dinner here at the hotel after returning. I didn’t care for the ritzy atmosphere but it wasn’t because of the food or service so much as because I knew our crew needed to wind down.
The kids have gotten suspiciously quiet, I better go check on them and make sure their tablets are on the charger. Lev Is nearing face plant state. I’m still a little wired. I love all the walking that we are doing. I’m energized. Tomorrow we are going to be on a bus going to Tuscany for the whole wine tour thing. The kids and I will make do but after that we are going to Pisa … as in the leaning tower … before coming back to the hotel. Sadie wants to try and take a photo that makes it look like we are holding the tower up. Lev isn’t just humoring when he said he’ll try and make it happen so long as the crowds don’t get in the way. You should have seen her face light up.