I have an Ashford Princess wheel that I converted to a double treddle, about three dozen drop spindles, a Navajo drop spindle, a LeClerc Nautlis four-harness loom, a tapestry loom, a Navajo rug weaving loom (that's in pieces at the moment), and four or five bead weaving looms. One of my bead weaving looms my dad made for my mom, her last project, a hat band, is still attached to the loom. I have a variety of carding equipment, a pair of wool combs, and two warping boards. I really wish I had a warping wheel/reel, the older I get the more I loathe loading a warping board. I have my great, great, grandmothers quilting frame, that hung above the kitchen table, in my attic. I have three gear-driven singer sewing machines which are great for heavy-duty projects, two belt driven singers, and three Janome sewing machines. And just about every type of hand stitching needle known to mankind! lol I also have a wooden square frame with finishing nails on opposite ends for weaving mixed media type stuff.
My fiber, yarn, thread, and bead stashes are extensive. I don't buy quilting fabric anymore unless it's for a specific project, like a baby blanket. Instead, I buy my fabrics directly from the manufacturers and dye, paint, and print my own. I buy in 300-yard rolls, be it cotton, silk, linen, hemp, or wool.
I also make accruements that are in line with my Mi'kmaq heritage, which means when I buy beads for beadwork I purchase by the kilo so I have a LOT of beads in my house which is basically one huge studio. And I also do porcupine quillwork for those accruments.