Some writing-advice links I came across today.

fruit loop

Inactive
There's a sticky thread on this subject as well.

The worst problem that I see with writers on this board is PASSIVE VOICE. An editor will reject your story after reading the first page if you do this. It absolutely murders the best of stories.

#2 is violating the cardinal rule - "Show, don't TELL." Make the reader part of the story, and let them feel what the character is doing. Ideally, they'll become that character and forget that they're reading a book.

Then there are just plain bad mechanics. Poor punctuation, wrong homophones, bad spelling.....you name it. Some writers think the editor will fix that, so it doesn't matter. WRONG. The editor has a slush pile full of print-ready manuscripts that don't need correction. They won't waste time on yours.

Proofread, proofread, proofread....and proofread again. It's never a waste of time to hire a professional, or just go to your local college and find an English major who will work for some gas money.

Don't rely on friends to help you. It's fine to let them read it, and get feedback on the story, but using them as editors is risky. First of all, friends are shy about hurting your feelings if they mark "too many" mistakes, and frankly, they may lack the education to assist you.

I hesitate to say this....but PLEASE, to those of you here who are planning to submit your manuscripts for publication: heed the advice above. There are several people who have great stories, but have committed all of the above mistakes, and I guarantee you're going to get rejection letters. Hire a pro and polish, THEN submit.
 

MaureenO

Another Infidel
How to write what you write depends on what and who you're writing for. If you're writing for yourself, there only exist the rules you set for yourself.

Romance writing rules are far different than are children's books; biographies; scientific studies, all sorts of fiction and non-fiction.

To someone who aspires to pen the Great American Novel, I suggest you write what you know and write it well.

Single out your audience and write to them.

If you admire Robert Frost, Emily Dickenson and their poetry, study them and get to "know" them--how they thought, lived and dreamed.

Dickenson was agoraphobic, you know, and rarely left her home during her brief life. She rarely entertained visitors from the same room, she would converse with them from an adjacent room. Robert Louis Stevenson was sickly and drew his inspiration from what he would liked to have done had he been healthy. His body was weak, but his imagination was as strong as any I've seen.

Henry David Thoreau is amongst my favourites to read by a crackling fire in a big chair near my front windows under a soft light when it's snowing against the panes. A cup of hot, lemon tea and a dish of ginger snaps sends me to Heaven until it's time to start supper.

Different audiences require different writing "rules," however, you may break as many of those rules as you choose as long as you do it well.

You do not always have to "colour between the lines."

Remember, there is an enormous difference between a writer and an author. You CAN be both, you know.

Mo :rs:
 

fruit loop

Inactive
Romance writing rules are far different than are children's books; biographies; scientific studies, all sorts of fiction and non-fiction.

Not true. The same construction guidelines apply. Check the submission guidelines for any publisher, and their advice to writers (most have a page of links), and you will see.

The romance genre is no different than others in that editors expect the author to have basic grammar, punctuation and composition skills. What I gave above are BASIC rules of professional writing. You'd likely fail a college composition course with the mistakes I listed above, particularly Passive Voice.


you may break as many of those rules as you choose as long as you do it well.


Not if you want to make it past the slush pile. Once you're established, you can break some rules....not while you're trying to break INTO the industry. You will be sorely disappointed when you try to get an agent or submit to a publisher with a badly constructed manuscript.

Back to work.

Wrong homophones are a bad habit of many people here. I'm astounded by the number of folks who don't know the difference between "loose" and "lose"! You LOSE your keys because your pockets were too LOOSE.

Poor punctuation. I roll my eyes whenever I see a comma after the word "but." WHY DO THEY DO THIS???? Apostrophes? Don't get me started. Learn the difference between its and it's, please. One is a possessive, the other a contraction.

Next up: Editing, or Thou Shalt Not Depend Upon Thy Spellchecker.
 

fruit loop

Inactive
The Many Sins of Spellcheck

The average spell-checking software program has a vocabulary of twenty to forty thousand words. The English language has many times that.

The joke about spellcheck missing "eye fix miss steaks ewe can knot sea" is anything but a joke. Spellcheck will tell you that the sentence is okay....because those words aren't misspelled.

Most spellcheck programs don't include diacritics at all.

Word uses superscript for placements. This is not always correct. 1st place, as in "I won first place in a race," is appropriate. If you are referring to the 1st Regiment of Cavalry, however, it's not. An author must be mindful of this and correct as she writes.

Spellcheck won't fix grammar (and the grammar check sometimes misses things for the same reason Spellcheck does).

Spellcheck won't find typos, such as missing periods, commas.....

Moral of the story: don't depend on Spellcheck. PROOFREAD...and then proofread again.
 
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