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RACE WAR Jay Z And Harvey Weinstein Team Up For Trayvon Martin Epic
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  1. #41
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    Quote Originally Posted by Dennis Olson View Post
    You guys are having way too much fun with the vocabulary drill. Fun isn't allowed here, so knock it off...


    Isn't it past your bedtime?

  2. #42
    Quote Originally Posted by bev View Post
    Now, Vestige, bw already gave us our Vocabulary Word of the Day, but I'll define this one too. You've got to be faster to beat bw

    http://www.dictionary.com/browse/stoichiometric

    Stoichiometric

    [stoi-kee-uh-me-trik]

    adjective, Chemistry.

    1. of or relating to stoichiometry.
    2. pertaining to or involving substances that are in the exact proportions required for a given reaction.

    (Do you use this word in normal conversation?
    Ja...

    Ich bin Ingenieur...

  3. #43
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    Niggers and non-Christians. Teaming up to demonize and attack White people and perpetuate the idea of dindunuffin.

    Hmm, who'da thunk it...
    "If it were announced to you that the enemy had invaded your cities, your castles, your lands; had ravished your wives and your daughters, and profaned your temples—which among you would not fly to arms?" - Saint Bernard of Clairvaux

  4. #44
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    Jay Z And Harvey Weinstein Team Up For Trayvon Martin Epic
    I didnt expect the board to genuflect and express outrage against JayZ and dead trayvon and yet ignore the obvious powerful agitator who will stir the negros into a violent frenzy on a massive scale.

    Just kidding- I really did expect that.

  5. #45
    See #11

  6. #46
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    Quote Originally Posted by vestige View Post
    See #11
    Right on. You & Foothiller can see the elephant right there in the middle of the room. Many have been programmed so as to not be able to see the obvious.



    Hollywood Rubs Raw the Sores of Racial Discontent

    "The despair is there; now it's up to us to go in and rub raw the sores of discontent, galvanize them for radical social change.” (Saul Alinsky)

    The power of film was understood early in the history of the medium, demonstrated by the virtual banning of the film Birth of a Nation for nearly 100 years. Its possible adverse effect on race relations was the reason. Today, racism -- nowadays anti-white racism instead of the anti-black racism of a century ago – is once again being driven by prominent film makers.

    In the last four decades a new genre of film has arisen described by Paul Kelsey as “anti-white snuff films.” These films, often advertised as being based on fact, tend to exaggerate the horrors of slavery or police brutality and idealize the victims. This results in the promotion of black rage and paranoia and engenders feelings of guilt in more suggestible whites. Mississippi Burning, Roots, Amsitad, Django Unchained, Birth of a Nation (2016), Fruitvale Station, The Butler, 12 Years a Slave, 42, Lincoln, and Selma are to a greater or lesser extent part of this genre.

    In the movie Fruitvale Station a scene shows Oscar Grant, the main character, coming to the aid of a dog that was hit by a car. The scene is totally fabricated but adds to the humanization of the future victim. Variety’s review noted, “Even if every word of Coogler’s account of the last day in Grant’s life held up under close scrutiny, the film would still ring false in its relentlessly positive portrayal of its subject.” The Butler is an account of Eugene Allen who served as a butler in the White House through eight administrations. Although Allen told the Washington Post that he had enjoyed a happy childhood, the film opens with a nine-year-old future butler watching the cotton-plantation scion raping his mom. In Mississippi Burning there is a scene where a black boy is attacked outside a church. It is supposedly based on an attack on Beatrice Cole. Cole claims that after she requested to be allowed to kneel and pray the Klansman decided not to beat her.

    A reviewer of 12 Years a Slave reported, “The film is so powerful it caused some critics to walk out, and left others in tears. The film has already made many Americans uneasy about their past.” President Obama stated after watching The Butler,

    “You know, I did see The Butler, and I did tear up. I teared up just thinking about not just the butlers who have worked here in the White House, but an entire generation of people who were talented and skilled, but because of Jim Crow, because of discrimination, there was only so far they could go.“

    The First Lady claimed, "I know I was mad just watching the movie," after watching 42, a movie about the life of Jackie Robinson.

    Of course reactions often exceed mere anger. The 1988 film Mississippi Burning is an example. After watching the film Todd Mitchell asked his friends, "Do you all feel hyped up to move on some white people?” They chased down 14-year-old Gregory Roddick and beat him so severely that he suffered permanent brain damage. After seeing Django Unchained, a number of moviegoers issued violent and racist tweets expressing a desire to kill white people. In an interview with YourBlackWorld.net, Louis Farrakhan after watching Django Unchained stated, “To me, the movie had a purpose. If a black man came out of that movie thinking like Django and white people came out of that movie seeing the slaughter of white people and they are armed to the teeth, it’s preparation for a race war.”

    If Hollywood chose to concentrate on the theme of white children murdered by black perpetrators they could find plenty of highly dramatic material. 5-month-old Andre Jenkins was placed in a clothes dryer by his babysitter. 12-year-old Jonathan Foster was murdered with a blowtorch. 13-month-old Antonio Santiago was shot in the face at point blank range in front of his mother. There is an extensive but only partial list of white children murdered, often in a most savage manner. It is quite likely such movies would have a negative social impact. When Director Quentin Tarantino was asked if there was a link between screen violence and actual violence he replied, “It’s a movie, it’s a fantasy. It’s not real life.”

    The end result of these films and the news media narrative has been to increase the level of violence. This has been demonstrated by the recent murders of police officers. The idealization of “cop killers” has an interesting history. CNN commentator and academic, a defender of Mumia Abu-Jamal, was so intrigued by the Chris Dorner murders that he remarked, “It’s almost like watching ‘Django Unchained’ in real life. It’s kind of exciting.” A former Miss Alabama announced that she felt the Dallas shooter was a martyr. Even Time magazine has argued that rioting was a justifiable form of protest.
    http://www.timebomb2000.com/vb/showt...ghlight=Django

  7. #47
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    Weinstein produces nothing but anti-White filth. Typical




    Django Unchained is the most racist movie I have ever seen, it sucked!

    — Donald J. Trump (@realDonaldTrump) February 25, 2013
    "whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness"

  8. #48
    Quote Originally Posted by imaginative View Post
    Weinstein produces nothing but anti-White filth. Typical




    Django Unchained is the most racist movie I have ever seen, it sucked!

    — Donald J. Trump (@realDonaldTrump) February 25, 2013
    Weinstein is not alone in what he produces.

    The anti Caucasian (anti white in popular vernacular) undercurrent is present in nearly every screen production in the last 25+ years.

    ETA: especially pertaining to white males
    Last edited by vestige; 04-02-2017 at 12:41 PM.

  9. #49
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    Which is why you NEVER see a white male in a leading role in new TV shows. Ever.

  10. #50
    I like feculent, it's more mellifluose than execrable
    #Nottometheydon't.

  11. #51
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    Quote Originally Posted by vestige View Post
    Weinstein is not alone in what he produces.

    The anti Caucasian (anti white in popular vernacular) undercurrent is present in nearly every screen production in the last 25+ years.

    ETA: especially pertaining to white males
    You reckon its part of a plan- or agenda- to attack and destroy the foundations of our White Christian heritage and culture?

    Feminism, Homosexuality, Pornography, Racial agitation, Blurring of the lines between the male and the female roles and attributes, Detrimental and forced immigration, and the overturning of sexual morality were depicted by 'The Fabian Society' as tools that should be implemented against The USofA in order to weaken and conquer her. Keep dumping the filth, the debt and the entangling foreign alliances and she will eventually be conquered.

    More chipping away of the crumbling foundation...


    Apr 20, 7:51 PM EDT

    Harvey Weinstein complains of R rating for trans teen film


    NEW YORK (AP) -- Harvey Weinstein knows he can be temperamental, and he knows he's not above a good publicity stunt, but he said Thursday his complaints over an R rating for his company's upcoming trans teen family story "3 Generations" are worth the effort on behalf of prospective young trans viewers.

    Starring Elle Fanning as a girl who wants to transition, the Motion
    Picture Association of America assigned the restrictive R based on strong language, including some sexual references. The film, which opens with a limited release in Los Angeles and New York on May 5, also stars Naomi Watts and Susan Sarandon.

    The dust up is similar to Weinstein's ratings complaint for "Bully" in 2012. The Weinstein Company successfully challenged that film's R rating and the MPAA knocked it down to PG-13.

    "I am not complaining about it when we do a horror movie, you know, when we do 'It Follows.' We understand we live by the rules," Weinstein said. "When the movie has something of social importance to say, I think it's important that we stand up. I admit that I'm temperamental but nevertheless I try to fight for good. This is insane."

    Weinstein has been accused of publicity-seeking through ratings complaints in the past. In this case, he said, an R rating would mean trans youth under 17 without adult accompaniment could not see the story of a New York family struggling with the transition of Fanning's character, Ray.

    "Honestly, this is not a publicity attempt," Weinstein said. "If it was I'd just say so because I don't care. I find nothing wrong with seeking publicity. This is issue oriented."

    Sarah Kate Ellis, president of the LGBTQ advocacy group GLAAD, sent a letter earlier this week to MPAA officials urging reconsideration of the R rating.

    "All that differentiates the film from other PG-13 films is a few instances of strong language," she said in the letter. "The film does not include graphic violence, drug use, or nudity - it merely portrays a modern family."

    http://hosted.ap.org/dynamic/stories...04-20-19-51-20
    "whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness"

  12. #52
    You reckon its part of a plan- or agenda- to attack and destroy the foundations of our White Christian heritage and culture?

    Feminism, Homosexuality, Pornography, Racial agitation, Blurring of the lines between the male and the female roles and attributes, Detrimental and forced immigration, and the overturning of sexual morality were depicted by 'The Fabian Society' as tools that should be implemented against The USofA in order to weaken and conquer her. Keep dumping the filth, the debt and the entangling foreign alliances and she will eventually be conquered.
    Yes....

    I reckon it is.

    I reckon it is just a part of those "Protocols" coming true although we all know they were debunked years ago.

    In the words of Bro. Nowski:

    Arm up!

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